Just imagine you’ve found a street photographer’s film by chance. What kind of person he is, what his preferences and views are, how many things he conceals from everybody and from himself as well. You possess only 36 shots to reveal all these and to look at this world through his eyes.
To be precise, with my eyes, because I am the photographer.
Street photography is a possibility for me to have a rest from the shooting process where everything has been already planned and considered.
It is spontaneous and intuitive like a jazz improvisation. I give a reaction to this or that moment often not even realizing why I do it.
It is a good way to get around the mind traps and to show your real self and then while looking through everything you’ve shot, get acquainted with it better.
So 36 various streets, 36 moments of synchronization and 36 shots like the classical reportage film has.
